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OMNI WAR WATCH WEDNESDAYS, #170, MARCH 27, 2024.

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OMNI WAR WATCH WEDNESDAYS, #170, MARCH 27,  2024.  Compiled by Dick Bennett.   

Sharon         John Bellamy Foster.  “The U.S. Quest for Nuclear Primacy.”
Rudahl.        Sharon Rudahl.  Ballad of an American: A Graphic Biography of Paul Robeson.

 

John Bellamy Foster.  “The U.S. Quest for Nuclear Primacy:The Counterforce Doctrine and the Ideology of Moral Asymmetry.”   The Monthly Review (February 2024).   https://monthlyreview.org/2024/02/01/the-u-s-quest-for-nuclear-primacy/    [The final paragraph summarizing the essay’s criticism of US culpability might appear unconvincing devoid of the argument and evidence preceding it.  This is an invitation to read the argument.  –D]   “The most likely result of the current Western view that nuclear weapons can be used to achieve political and military ends is that they will indeed end up being used, with the destruction of virtually all of humanity.  The fact that the entire Western nuclear strategy since 1991 has been based on counterforce targeting, first-strike capability, nuclear primacy, and limited nuclear war, viewing thermonuclear weapons as useful instruments in the struggle to secure a unipolar world order of and for US capitalism, means that the United States/NATO today constitutes the single greatest existential threat to humanity via a Third World War (that is, outside of the planetary ecological crisis).”

 

SOVIET/RUSSOPHOBIA

Sharon Rudahl.  Ballad of an American: A Graphic Biography of Paul Robeson, edited by Paul Buhle and Lawrence Ware.  Rutgers U, 2020. 142 pp.

Reviewed by Michael D. Yates.   “‘Ballad of an American’: The Illustrious Life of Paul Robeson, Newly Illustrated.” (Nov 01, 2023)

Topics: Culture  Inequality  Media  Movements  Race Places: Americas  United States

“The book, Ballad of An American, is a beautifully rendered graphic biography that takes readers, especially those not familiar with Robeson, on an exciting journey through his remarkable life. He rose like a shooting star, from humble beginnings to the height of worldwide acclaim—and he fell nearly as rapidly as he shot to stardom, destroyed by the U.S. government and powerful right-wing elements after the Second World War. He was deemed a danger to the white and imperialist ruling class, and with good reason. As we shall see, what Robeson stood for and acted upon threatened to incite an uprising by the working class, especially the Black superexploited part of it.”


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